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Dr. Sleepy Pasta

I Rented a Farmhouse in Texas. My Neighbor Warned Me About the Lights.

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Still from I Rented a Farmhouse in Texas. My Neighbor Warned Me About the Lights.

I got to Marfa on a Tuesday in early October, which meant the summer tourists were mostly gone and the town had gone quiet in the way small West Texas towns go quiet — not empty, just settled. The farmhouse sat about three miles east on a county road that turned to packed caliche past the last paved intersection. I'd rented it through January from a woman in El Paso who'd inherited it and didn't want the trouble of selling. Narrow kitchen, two bedrooms, a covered porch that faced north toward the mountains. The kind of place where you could hear your own thoughts, which was the point.

I'd been in Austin for eleven years. After Diane died I stayed longer than I should have, and the city started to feel like it was pressing on me from all sides. So I packed what fit in the truck, put the rest in storage, and drove west. I didn't have a particular plan beyond getting through winter somewhere that wasn't there.

The kitchen was the first thing I unpacked because I needed the coffee maker. I had boxes stacked on the counters and the floor and the small table that folded against the wall, and I was working through them in no particular order when I heard boots on the gravel outside. I looked up through the window over the sink.

The man was already at the fence line. He hadn't knocked or called out, just walked up and stood there with one hand resting on the top rail, looking at the house with the flat patience of someone who had time and didn't mind using it. Older, seventy or so, with a battered felt hat and the kind of tan you don't get from a weekend. I set down the box I was holding and went out.

"Drew Santos," he said. Not offered as a greeting, just stated. "Got the place to the east."

"Miles Howell." I shook his hand. His grip was dry and unhurried.

He looked at me for a moment the way ranchers look at things they're assessing — not unfriendly, not particularly warm either. Then he said, "You'll see lights out in the arroyos after dark. Don't follow them. Doesn't matter what they look like. Doesn't matter if you hear a voice down there." He held my eyes long enough to make sure I'd heard it. "Don't go down."

That was the whole speech. He touched the brim of his hat, turned, and walked back across the scrub toward his property without waiting for a response.

I stood at the fence a second longer than necessary, then went back inside. I appreciated the gesture, I told myself. Older rancher, lived out here long enough that the isolation had done what isolation does to people. I filed it under local color and went back to unpacking.

Casey called Thursday evening while I was trying to figure out where the circuit breaker was. I had the phone tucked against my shoulder, flashlight in one hand, when I heard her voice come through — warm and quick, already mid-sentence about traffic on I-ten.

"I'm thinking Friday," she said. "I'll leave after my last class."

"Drive careful," I said. "It's two-lane most of the way once you pass Fort Stockton."

"Dad." She said it the way she always said it when I was being obvious. "I've been driving since I was sixteen."

She pulled up just after seven on Friday. The sun was already behind the mountains and the sky had gone that specific dark blue it goes out here before it goes fully black. She got out of the car and looked up for a solid ten seconds before she said a single word to me. Then she hugged me, and for a second I could hear her mother in the way she laughed when she pulled back and looked at the house.

"It's so small," she said.

"It's enough."

"I love it."

We drove into town for dinner. The Food Shark was still parked on Highland, and we ate at one of the outdoor tables while the temperature dropped steadily and Casey told me about her thesis and Tucker and the drive through the Permian Basin, which she had apparently found fascinating in the way she finds most things fascinating. She'd always been like that — genuinely interested in whatever was in front of her, no performance in it. I ordered a second coffee I didn't need and just let her talk.

The drive back was twenty minutes. Clear night, no wind, stars thick enough that they gave the road a faint gray definition even without the headlights. Casey was still talking, something about the geological survey data she'd been reading for her research, and I was half-listening and half-watching the road when her headlights swung across the arroyo at the eastern edge of the property.

The glow was just there. Pale, hovering maybe fifteen feet above the dry creek bed, steady enough that it wasn't a reflection off anything. No pulse to it. No movement. Just a soft suspended light sitting in the dark above the arroyo like it had always been there.

Casey leaned forward against the steering wheel.

"Oh," she said, and her voice had gone bright. "Oh, I've read about these. The Marfa Lights." She slowed the car. "There are whole papers on them. Atmospheric refraction, some people think, or maybe car headlights bouncing off temperature inversions on the highway—"

"Keep driving," I said.

She glanced at me. "What?"

"Just keep going, Casey."

She drove, but slowly, watching the arroyo until the road curved and the glow dropped behind the mesquite. "That was genuinely cool," she said. "You know there's a viewing platform on the highway? We should go."

I didn't answer that.

She teased me about it for the rest of the night — over dishes, when she found a deck of cards and made me play gin rummy at the kitchen table, when she finally said goodnight and disappeared into the back bedroom. "Don't worry, Dad," she called through the door, "I won't follow the spooky lights." She was laughing when she said it.

I turned off the kitchen light and sat down on the couch in the dark.

I thought about Drew Santos standing at that fence line with his hand on the rail, delivering his flat two-sentence warning like he was reading from something he'd memorized a long time ago. The specific way he'd said it. Not if you see lights. Not some people think they see lights. Just: you'll see them.

Outside, the desert was completely quiet.

I didn't sleep.

Saturday started with the Chinati Mountains and ended with me throwing a dead bolt at ten-thirty at night, and somewhere in between I'd almost convinced myself Drew Santos was just an old man with too much desert and not enough company.

We'd driven out to the mountains in the morning, Casey in her hiking boots she'd had since college, me in the work boots I wore everywhere. The trail we picked wasn't marked well but it didn't need to be — the terrain told you where to go, broken rock and scrub cedar funneling you uphill toward the ridgeline. Casey talked the whole way up about her thesis, about fault lines and how the basin-and-range geology out here was still active in ways most people didn't register. She'd point at a feature and name it — alluvial fan, pediment, exfoliation surface — and I'd nod like I understood half of it. Mostly I was watching her, the way she moved through that landscape like she belonged in it, and thinking about how Diane used to get the same way when she was deep in something she loved.

We ate at a diner on Highway 67 in the early afternoon. Green chile on everything, black coffee that tasted like it had been on the burner since morning, a waitress who called us both hon without irony. Casey ordered a slice of pecan pie and didn't offer me any. We drove back with the windows cracked and the radio finding and losing a station out of Presidio, and by the time we got to the farmhouse I'd put Drew's warning somewhere near the back of the shelf. Old man, isolated property, decades of desert nights — people developed their own explanations for things out here. I'd read enough about the Marfa Lights to know the scientific literature was thin and the local mythology was thick. It tracked.

By ten o'clock Casey was in the front room scrolling through something on her laptop, and I was in the kitchen finishing the dishes. She said she was going to step out and call Tucker, that she'd been forgetting all day. I said fine, don't forget your jacket. She grabbed it off the hook by the door and went out.

I finished the dishes. Dried them. Put them away. Poured the last of the coffee down the drain and rinsed the pot.

She hadn't come back in.

I told myself she was just talking, that Tucker probably had things to say too, that ten minutes on a phone call wasn't a missing person. I dried my hands and went to the front window and looked out. The porch was empty. The yard was dark past the reach of the porch light. Her jacket was still on the hook by the door.

She'd gone out without it.

I went outside fast.

The porch light didn't reach past the fence line. Beyond it the scrubland was dark, that particular deep dark you only get when there's no ambient glow for fifty miles in any direction. I could see maybe twenty feet. I called her name twice and got nothing back.

Then I saw the glow. Eastern edge of the property, down at the arroyo. Three pale points of light drifting in slow, wide arcs through the dark channel below the bank — not blinking, not flickering, just moving in that loose unhurried way that made them look almost deliberate. Fifteen feet off the creek bed, maybe a little more. Same height, same quality of light as what we'd seen from the car the night before, except there were three of them now and I was standing in a yard in the dark instead of inside a moving vehicle.

Casey was standing at the edge of the bank.

She had her phone in her hand but she wasn't talking into it. It hung loose at her side, screen still lit. She was just looking down.

"Casey." I was moving while I said it.

She didn't turn. "Dad. There's someone down there."

I reached her and put my hand on her arm. "There's not."

"I can hear them." She wasn't distressed. That was the thing that stopped me for half a second — she sounded calm, almost puzzled, like she was working out a math problem. "Listen."

I did.

There was a sound coming up from the arroyo. Thin, wavering, not quite right in a way I couldn't locate. It had the shape of a human voice without being one — syllables that almost resolved, then didn't, like a word forming at the edge of sleep and collapsing before it arrives. I stood there listening to it for probably three seconds before I grabbed Casey's arm and pulled.

She resisted. Not aggressively, just with weight, leaning back toward the edge.

I pulled harder. "We're going inside."

She came. I kept my hand on her arm all the way across the yard and up the porch steps and through the door, and I threw the dead bolt and put my back against the door for a moment before I remembered that was not useful behavior.

Casey stood in the middle of the front room looking slightly dazed, like someone who'd been reading in a dim light and came suddenly into a bright one. She looked at me. "That was a person."

"It wasn't."

"Miles."

I sat down on the couch and told her everything Drew had said. All of it — the lights, the voice, the don't follow it, the flat delivery of a man reciting something he'd said before or at least thought through enough times that it had worn smooth. Casey sat across from me and listened without interrupting.

When I finished she was quiet for a moment. Then she said the lights were consistent with atmospheric plasma discharge — a rare but documented phenomenon, ionized gas formations that could produce visible light and persist in topographic channels. She said the sound was almost certainly wind behavior, the arroyo acting as a resonator, rock walls and dry air shaping wind noise into something that passed for vocalization. She said both things in the same even tone she used for her thesis, and her reasoning held together. I didn't have anything structurally wrong to point at.

I also didn't have anything better.

She didn't go back outside. We stayed in the front room for another hour, not talking much, and eventually she said she was going to bed. I said okay. She went down the hall and I heard her door close, and I sat there for a few more minutes with the dead bolt thrown and the porch light on and the quiet pressing in from every side.

We both slept. I don't know what that says about either of us.

I came awake all at once.

No transition, no slow surfacing — one second I was under and the next I was sitting up in the dark with every nerve already running. I don't know what woke me. There was no sound. That was the thing. The farmhouse at night had its own ambient noise: the refrigerator cycling, the wind pressing against the north-facing porch, the occasional tick of the metal roof shedding heat. None of it was there. The silence was total in a way that felt applied, like something had pressed a hand flat over the whole property.

Three in the morning by the clock on my phone.

I got up and crossed the hall in two steps. Casey's door was open. I'd watched her close it. I stood in the doorway and looked at the bed — covers pushed back, both pillows still dented from where she'd slept, nobody in it. Her shoes were on the floor. She'd gone out barefoot.

I was through the front door before I'd finished the thought.

The porch light was still on from the night before. It threw a hard yellow circle as far as the fence line and then nothing. I went to the edge of the porch and looked east and found her.

She was on the embankment slope, facing down into the arroyo. The lights were there — the same pale, hovering points from Saturday, drifting in slow arcs through the dark channel below. She was moving toward them. Not fast. Measured, like she was descending stairs she knew by memory. One step, then another. I counted later — four steps down before I shouted her name.

She stopped.

Turned.

I was already off the porch and across the yard, moving through the dark scrub by memory and faint starlight. When I got to the bank I scrambled over the edge and down the slope and grabbed her wrist. She let me take it. She was looking at me with an expression I'd never seen on her before. Not frightened, not sleepy. Serene in a way that didn't belong to her face — she was a person who held opinions and ran warm and laughed too loud at her own jokes. Whatever was looking out of her eyes in that moment wasn't any of that.

Then my own voice came up from the dark below.

"Casey."

That was all. My name for her, in my register, with the exact quality of warmth I'd use calling her in from another room. I knew my own voice. I'd heard recordings of it, hated them the way everyone does, and this was better than any recording. This was the version in my own head — the voice I didn't know I had until I heard it used wrong.

I grabbed Casey's other arm and pulled. She came without fighting, but she was heavy in that passive, leaning way from the night before, her weight angled back toward the arroyo. I hauled her up the slope and her foot went sideways on loose caliche and she went down hard on her hip and her hand. She cried out — sharp, genuine, involuntary — and I heard something shift in her face even before I could see it. The serenity broke. She pushed herself up on one hand and looked at me and she was Casey again, the real one, wincing and confused and present.

"Go," I said.

We ran.

Not a dignified retreat. I had her wrist and we crossed the yard at a full run, through the porch, through the front door, and I threw the dead bolt behind us. Casey was breathing hard, bent over with her hands on her knees, and I had my back against the door again, same as the night before, and this time I didn't move away from it.

Then the sounds started.

From outside, from the direction of the arroyo, something began cycling through what it had collected. Casey's laugh — the specific one, the too-loud one when something surprised her, and it was exact, it was precise, it was her. Then a pause. Then my voice again, and this time it said Diane.

Just her name. My voice saying her name, the way I'd said it for twenty-six years, and I hadn't said it out loud since the funeral.

Then the screen door. The farmhouse screen door with its particular aluminum-frame rattle, the slight drag on the lower left corner — a sound I'd heard a hundred times in four days without registering it consciously, and there it was, replayed with mechanical accuracy, the full sequence from push to catch.

Then silence.

Casey had straightened up. She was looking at the front window, both arms crossed over her chest. Her right palm had a scrape on it and there was caliche dust on her knee. She didn't say anything and neither did I.

I'd been trying, since Friday night, to give her explanations the room they deserved. Atmospheric plasma. Resonant topography. Wind behaving like a voice in the right rock channel. I'd held those at arm's length without quite letting them go, because she'd built them on actual knowledge and I hadn't. But whatever was in that arroyo had spent a weekend with us. It had been present at the dinner table and on the porch and in the yard, collecting every sound we made, and it had built something functional enough out of those sounds to walk her into the dark a second time. Not on accident. It had used my voice — my specific voice, the warm version of it — to call her name. It had known which voice to use.

Drew Santos had knocked on my fence line four days ago and told me, in plain language, not to follow the lights and not to follow the voice. He'd said it the way a man says something he has said before, or thought through so many times it had worn down to its shortest form. He'd been working the scrubland for fifty years. He'd seen the lights. He'd heard whatever the arroyo offered up in his direction, shaped to fit him. And somewhere along the way he'd arrived at the only conclusion the facts supported and distilled it into a warning simple enough to hand to a stranger in under a minute.

I understood, standing there with the dead bolt thrown and Casey's scraped hand and Diane's name still in my ears, what those fifty years had cost him to know.

The first aid kit was in the cabinet under the bathroom sink, a red nylon pouch with a broken zipper that I'd thrown in a box with the cleaning supplies back in Austin and never thought about since. I found it by touch more than sight because I didn't want to turn on every light in the house. I don't know why that felt significant. It just did.

Casey sat on the closed toilet lid while I cleaned her palm under the faucet. The scrape wasn't deep — more road rash than anything, caliche dust worked into the skin across the heel of her hand and the base of her fingers. She didn't flinch when the water hit it. She watched me work with a kind of careful attention, the way you watch someone do something when you're trying to decide whether they're okay.

I wasn't, particularly, but I was functional.

"It's not bad," she said.

"I know."

I dried her hand and pressed a gauze pad to it and ran two strips of medical tape across to hold it. Her knee had dust on it but no break in the skin, so I left that alone. When I finished, she looked at her bandaged hand for a second, then looked at me. I held her gaze for long enough to be sure. Whatever had been on her face on that embankment — the blankness, the calm that didn't belong to her — it was gone. She was just Casey. Tired and a little shaken and watching me the way she had since she was small, checking whether I was going to tell her something was fine when it wasn't.

"We're leaving before it gets light," I said.

She didn't argue.

We packed in about twenty minutes. I didn't sort anything — just pulled clothes off hangers and pushed them into the bag, grabbed the toiletry kit from the bathroom counter, made sure I had my keys and phone and wallet. Casey moved through the back bedroom the same way. Neither of us talked. The farmhouse was still doing that thing where it had gone quiet, the refrigerator not cycling, nothing moving in the walls. I didn't look out any windows.

We were on the county road before five in the morning, headlights picking up caliche dust and then the dark pavement of the highway. I took Highway ninety east toward Alpine. Casey sat in the passenger seat with her jacket pulled around her and her bandaged hand in her lap. The sky was still full dark in the west and starting to separate into something slightly less black in the east, that narrow band of distinction before any real color shows up. The Chinati Mountains were out there somewhere in the dark to the south, the same ones we'd walked that morning — which felt like it had happened to different people.

Casey fell asleep somewhere around the fifteen-mile mark. I drove the rest of the way with the heater running low and the radio off.

The Holland Hotel was lit when we pulled up on Holland Avenue. The lobby had that middle-of-the-night quiet where the overhead lights are too bright and there's nobody behind the desk for a minute before someone comes out of the back room looking like they've been awake since the previous decade. I got us a room. Double beds, second floor. The man at the desk didn't ask why we were checking in at five-fifteen in the morning with one bag between us and a twenty-four-year-old in hiking boots who had gone back to sleep standing up against the wall by the elevator.

Casey made it to the bed and that was about it. Jacket still on. I got her boots off and pulled the blanket over her and sat in the chair by the window and watched the sky go light outside.

She slept eleven hours. I know because I checked my phone when she went out and again when she finally stirred, and the math came out to eleven hours even. I didn't sleep. I thought about trying around nine in the morning but I'd sit back in the chair and my mind would start running through the sounds again, the specific sequence of them, and sleep wasn't going to happen so I stopped trying.

Around noon she rolled over and looked at the ceiling for a while before she turned her head and looked at me.

"Hey," she said.

"Hey."

She pushed up onto one elbow and looked at her bandaged hand, moved her fingers experimentally. "What time is it?"

"Just after noon."

She sat up slow. Her hair was flattened on one side and she had a crease from the pillowcase across her cheek. She looked at the room, then at the window, then back at me.

"I feel fine," she said.

Two words that did a lot of work. I watched her face when she said them. Her eyes were clear. She was present — that specific quality of Casey-ness that was in every small expression, the slight furrow when she was assessing something, the way she held her mouth when she wasn't sure how you were going to respond. All of it was there.

I chose to believe her. Not because I was certain, but because the other option — that something had gotten a hold on her that distance and sleep hadn't cleared — was a thought I couldn't carry and still be useful to anyone. So I let it settle as true. She felt fine. We were in Alpine. The sun was coming through the window.

What I couldn't put down was the rest of it.

The weekend had started with Drew Santos at the fence line, one hand on the top rail, delivering a warning in the flat tone of someone who'd worn the words smooth from years of private repetition. I'd filed that away as the particular loneliness of old men in remote places, the kind of thing you nod at and move past. Then Friday night with the lights from the car window. Then Saturday night with Casey on the bank, her phone loose at her side, telling me calmly that she could hear someone down there. Then three in the morning with her door open and her shoes on the floor and her already four steps down the embankment slope.

Then the sounds.

My own voice, coming out of that dark channel. My wife's name in my own mouth, exactly as I'd said it for twenty-six years, spoken back at me from the arroyo after Diane had been in the ground for three years. The screen door — that specific drag and rattle I'd stopped hearing consciously after the second day.

That was the part I kept landing on. Not that the arroyo made sounds, or even that it made voices. But that it had been listening the entire time, all four days, storing everything we put into the air around that property. And then it sorted through what it had and it chose. It used my voice for Casey, not a generic sound, not something approximate. My actual voice, the internal version, the one that lives in your own head when you imagine yourself speaking. It used Diane because — I don't know. Because it could. Because it had the word and it had my tone and it understood, in whatever way it understood anything, that there was weight there.

I sat in that hotel chair in Alpine through the afternoon with Casey eating room-service soup across from me and looking up at the television, and I turned that knowledge over and found no angle that made it smaller or more manageable. It wasn't a phenomenon. It wasn't something that could be mapped onto a known category and left there.

It had been paying attention to us. From the first night, maybe from before that.

And now it had both our voices stored somewhere in that dry creek bed, waiting.

Two weeks felt like the right amount of time to not go back immediately but also not let myself off the hook about the boxes still sitting in that farmhouse. Casey was home. She was fine — or presenting as fine, which I'd decided to accept. I'd been sleeping on a friend's couch in Alpine while I figured out the next move, and somewhere around day ten I stopped finding reasons to delay the drive back to Marfa.

I pulled onto the county road just after eight in the morning. The caliche was the same pale orange it always was. The scrub was the same. The mountains sat to the south in the same flat way they always did. The farmhouse looked identical from the road — same covered porch, same weathered wood, same north-facing exposure. Nothing about it looked like a place where anything had happened.

Drew Santos was at the fence line before I'd even turned off the engine.

He was standing the same way he had that first day — one hand resting on the top rail, hat on, watching my truck roll to a stop. I didn't know if he'd heard the engine from his property or if he'd been watching the road and just happened to be there. Either way, he wasn't surprised. His expression when I got out of the truck was the specific absence of surprise — not neutral exactly, more like confirmed.

I walked over. We shook hands the same as before.

"Figured you'd be back," he said.

"Just to get my things."

He nodded once and said nothing else, and I understood he was going to wait me out. Drew was not a man who filled silences.

So I told him. I went through it — Casey on the embankment Saturday night, her phone loose at her side and that wrong calm on her face. Finding her door open at three in the morning, her shoes on the floor. Counting four steps before I got to her. The way she leaned back toward the arroyo with her dead weight even after I had her arm. And then what came out of the arroyo after we were inside with the bolt thrown: her laugh, exact. My voice saying her name. Then Diane's name, in the tone I used for twenty-six years, coming out of the dark from thirty yards away.

Drew listened without interrupting. He looked at a point somewhere past my left shoulder while I talked, the way people do when they're not watching you but they're not checked out either. When I finished, he was quiet for a moment.

"How old's your daughter?" he said.

"Twenty-four."

He let out a slow breath through his nose. "Good that you got her out."

"What is it," I said. Not a question exactly.

"Don't know what it is." He moved his hand along the fence rail, a short deliberate motion. "Know what it does. Knew a man lost his wife to it, forty years back. Knew another man went in himself — been out here long enough that it had a lot to work with." He paused. "It collects what you put in the air around it. Everything you say, everything you do that makes a sound. And then it uses what it knows about you to bring you down."

"That's what I worked out."

"I know," he said. "I could see it in your face when you drove up."

He was right. I hadn't driven back expecting answers. I'd driven back because the boxes were still there, and because some part of me needed Drew Santos to say plainly what I already knew, the same way you sometimes need a doctor to confirm the thing you've already diagnosed yourself.

He said the rest of it without me asking.

"Once it knows a person," he said, "it doesn't stop knowing them."

He held eye contact when he said it, same as the first day at the fence line. Same flat delivery. The sentence sat there between us in the October morning air without any drama attached to it, and that was exactly the problem with it. If he'd said it with some weight, I could have pushed back or at least had somewhere to put the reaction. But Drew said it the way you say the weather's going to be cold, or the truck needs an oil change — a thing that is simply true and has been true for a while and will stay true.

Casey was in Austin. Three hundred miles east.

I said, "How far does it reach."

Drew shook his head. Not an answer — more like the question was one he'd already sat with and hadn't been able to close. "Don't know that either," he said. "Don't know anyone who left and could tell me."

That was enough. I thanked him and he touched his hat brim and walked back toward his property without waiting for anything else.

The farmhouse was exactly as I'd left it. Casey's room was made up — I'd done that before we drove to Alpine — and the kitchen still had a dish towel folded on the counter that I didn't remember folding. The boxes were stacked where I'd left them against the living room wall.

I worked fast and didn't let myself slow down. Clothes off hangers, into bags. Books into a box without checking the titles. Kitchen items wrapped in the dish towels and packed without thinking too hard about which box they went in. I didn't open any windows. The farmhouse was quiet in the ordinary way — refrigerator cycling, metal roof ticking in the heat — and I noticed that only because it had been so completely absent the night I hauled Casey up the slope.

Four hours. I loaded everything into the truck in four hours, which was not a record but was not leisurely either. The last thing I did was walk through each room once, not to check for forgotten items — I knew I was leaving things — but because it felt wrong not to. I stood in the doorway of each room for about three seconds and then I left.

I drove out on the county road with the farmhouse behind me and the arroyo to my right at the eastern edge of the property, running dry and dark in the daylight the way it always did. I did not look at it.

What Drew had told me wasn't anything I hadn't already assembled on my own, lying in that hotel chair in Alpine while Casey slept eleven hours across the room. The shape of it was already there. But there's a difference between carrying a thing in your gut and hearing it said out loud by a man who has spent fifty years watching it be true. Knowing it in your body is one kind of weight. Knowing it as a confirmed fact, stated plainly at a fence line in the October morning, is a different kind. Heavier. Harder to set down.

I drove east on Highway 90 with the mountains falling away behind me and didn't look in the mirror.

Three months out of Marfa, I was sleeping in a second-floor apartment off South Flores Street in San Antonio, and I thought I had put enough distance between myself and the arroyo to sleep without listening.

That was wrong.

The apartment was nothing special — one bedroom, a narrow kitchen, a window in the living room that looked down onto an alley between my building and the parking structure next door. I'd picked it in November mostly because it was available and the lease was month-to-month. There were boxes I still hadn't unpacked stacked against the living room wall, same as the farmhouse. I told myself I'd get to them. I didn't. Some habits you carry without noticing.

I'd been sleeping fine, or what passed for fine. No lights outside my window, no dead silence pulling me awake at 3 a.m. San Antonio had its own sounds — delivery trucks on the street at odd hours, somebody's music two floors up on weekend nights, pigeons working the ledge above my window in the mornings. Normal urban ambient. The kind of noise that fills a room without asking anything of you. I'd stopped sleeping with one ear tuned to the dark and started sleeping like a person again, which I took as progress.

January. Around two in the morning by the clock on my phone.

I was already upright and moving toward the window before I was fully awake. That's the honest version. My body heard something and responded before my mind caught up, and by the time I was conscious enough to think about what I was doing, I had one hand on the window frame and was leaning toward the glass.

I stopped.

Not because I'd reasoned through anything. Just because some wire tripped — something that had been waiting, primed and watchful even during the months I thought I'd left it behind. I pulled back from the glass and looked down into the alley from where I stood.

Empty. Orange-tinted sodium light from the parking structure falling across the dumpsters and the strip of cracked pavement between the buildings. A flattened cardboard box someone had left against the wall. Nothing moving.

Then it called again.

Casey's voice. Her exact pitch, the particular way she extends the first syllable of my name just slightly, the warmth in it that I've heard since she was a kid calling from another room. Warm and patient and entirely ordinary. Rising up from that empty alley with nothing down there to produce it.

There was nothing wrong with the voice that I could identify. If I had heard it six months earlier, before the farmhouse, before the embankment and the dead bolt and Drew Santos at the fence line, I would have gone to the window without thinking. I would have opened it and looked out and called back down.

I stood in the middle of the living room with my hand not quite touching the window frame anymore, and I understood something I had not let myself fully think through in the months since Alpine.

I'd been focused on Casey's exposure. On the fact that she'd been the one standing on the embankment twice. On Drew's flat statement that the entity doesn't stop knowing a person once it knows them, and on what that meant for her, three hundred miles east in Austin. I'd been watching for signs in her when we talked. Listening to her voice on the phone for something slightly off, some gap in her affect that shouldn't be there.

I hadn't been watching for signs in myself.

But the arroyo had me too. I'd been out there every night of that weekend, talking and walking and making sounds. My voice was in it — I'd confirmed that myself, heard it come back at me from the dark with Casey's name in my own register. And now, three months later and two hundred and sixty miles east, something had used that inventory. Had played her voice up into the dark outside my window to see what I'd do.

I went and sat in the kitchen. Turned the overhead light on and sat at the table, which had two chairs even though I lived alone because it came with the apartment. The linoleum under the table had a scuff mark near one chair leg in the shape of a rough crescent. I looked at that for a while. The refrigerator cycled. The building settled. Normal sounds, each one of them a small relief.

I didn't go back to bed. I didn't go to the window. I sat there with the kitchen light on and a glass of water I poured and didn't drink and I waited for morning the same way I had on the farmhouse couch back in October — not because I was afraid to sleep, but because sleep wasn't available anymore and there was no use pretending otherwise.

The voice didn't come back. That was something, I suppose. I sat with it either way.

When the sky through the kitchen window went from black to the particular dark gray that comes before color, I picked up my phone. Casey answered on the third ring.

"Hey." Her voice, real and slightly groggy. I could hear she'd been asleep.

"Hey," I said. "Sorry for the hour."

"It's fine. What's up?" Not alarmed. Just awake now, adjusting.

I didn't say anything for a moment. I was listening to the texture of her voice — the small roughness from sleep, the way she breathes between sentences, the slight rise at the end when she's waiting. All of it exactly hers and nothing else.

"Nothing's wrong," I said. "Just wanted to hear your voice."

There was a pause. "Dad. It's six in the morning."

"I know."

"Are you okay?"

"Yeah." And I meant it, or enough of it. "Tell me what's going on with you."

She shifted, I could hear blankets. Then she started talking — her thesis, a revision her advisor wanted, something Tucker had said at dinner that had made her laugh. She talked about the drive she'd taken last weekend up to Enchanted Rock, how the granite domes look like something that should be underwater rather than sitting in the middle of Texas. She had an opinion about the park's visitor center. She always had opinions. I listened to all of it.

I stayed on the phone with her for a long time. I didn't tell her about the alley. I didn't tell her what I'd heard, or what it meant that I'd heard it here instead of Marfa. I let her talk and I put in enough words to keep her going, and the kitchen filled up with ordinary morning light, and she was alive and herself and three hundred miles away, and that was what I had to work with.

Hear it narrated.

The full episode runs 47 min on Horror Stories to Fall Asleep To.